{"id":14380,"date":"2026-09-09T06:13:38","date_gmt":"2026-09-09T04:13:38","guid":{"rendered":"https:\/\/mpm-music.vorlaender.cloud\/?page_id=14380"},"modified":"2026-09-22T11:48:14","modified_gmt":"2026-09-22T09:48:14","slug":"agency","status":"publish","type":"page","link":"https:\/\/mpm-music.de\/en\/agency\/","title":{"rendered":"Agency"},"content":{"rendered":"\n
\"Empfang<\/span>
\n

More than 30<\/mark> years in the live business.<\/h1>\n\n\n\n

From Hamburg we put artists on festivals, galas and cruises. Over the decades that has grown into a network.<\/p>\n<\/div><\/section>\n\n\n\n

\n
\n
\n
\"Manuel<\/figure>\n<\/div>\n\n\n\n
\n

Manuel Pielka<\/h2>\n\n\n\n

Music runs in his family. His father Rudi Pielka was a sought-after manager in the 1970s and 1980s, among others for Claudia Jung and Adam & Eve.<\/p>\n\n\n\n

In the mid-1990s Manuel Pielka staged his first concerts, and the trade papers Musikmarkt and Musikwoche took notice of him early on. Shortly afterwards OLI.P became his first big success in management.<\/p>\n<\/div>\n<\/div>\n<\/section>\n\n\n\n

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The road so far<\/h2>\n\n\n\n
\n
\n

Mid-1990s<\/h3>\n\n\n\n
\n

First concerts with Caught in the Act and Blue System. Soon after, Dr. Alban, Rednex, Garcia, Fun Factory and Down Low are playing German stages.<\/p>\n\n\n\n

\n
\"Caught<\/a>
Caught in the Act<\/figcaption><\/figure>\n\n\n\n
\"Dr.<\/a>
Dr. Alban<\/figcaption><\/figure>\n\n\n\n
\"Rednex\"<\/a>
Rednex<\/figcaption><\/figure>\n\n\n\n
\"Garcia\"<\/a>
Garcia<\/figcaption><\/figure>\n\n\n\n
\"Fun<\/a>
Fun Factory<\/figcaption><\/figure>\n\n\n\n
\"Vengaboys\"<\/a>
Vengaboys<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

Around 2000<\/h3>\n\n\n\n
\n

Yamboo storms the charts across Europe with \u201cFiesta de la noche\u201d. A second office in New York brings Destiny\u2019s Child to Germany on their very first tour, along with Coolio, Fugees, Snoop Dogg and Wu-Tang Clan.<\/p>\n\n\n\n

\n
\"Destiny\u2019s
Destiny\u2019s Child<\/figcaption><\/figure>\n\n\n\n
\"Coolio\"
Coolio<\/figcaption><\/figure>\n\n\n\n
\"Fugees\"
Fugees<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

From 2008<\/h3>\n\n\n\n
\n

Back to the German-speaking market, with Anna-Maria Zimmermann, J\u00fcrgen Drews and Mickie Krause. In 2011 Die Atzen sign exclusively and are still with us today.<\/p>\n\n\n\n

\n
\"Mickie
Mickie Krause<\/figcaption><\/figure>\n\n\n\n
\"Die<\/a>
Die Atzen<\/figcaption><\/figure>\n\n\n\n
\"Kay<\/a>
Kay One<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

From 2016<\/h3>\n\n\n\n
\n

DJ Antoine, Eloy de Jong, Michelle, Pietro Lombardi and Giovanni Zarrella join. Finch follows in 2019, Knossi in 2020 and Maxwell of 187 Strassenbande in 2022.<\/p>\n\n\n\n

\n
\"DJ<\/a>
DJ Antoine<\/figcaption><\/figure>\n\n\n\n
\"Kerstin<\/a>
Kerstin Ott<\/figcaption><\/figure>\n\n\n\n
\"Giovanni<\/a>
Giovanni Zarrella<\/figcaption><\/figure>\n\n\n\n
\"Finch\"<\/a>
Finch<\/figcaption><\/figure>\n\n\n\n
\"Knossi\"<\/a>
Knossi<\/figcaption><\/figure>\n\n\n\n
\"Maxwell\"<\/a>
Maxwell<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n

Since 2022<\/h3>\n\n\n\n
\n

The first 90s Super Cruise on the AIDA. In 2024 Andr\u00e9 Schnura, the guy with the saxophone, becomes an icon overnight. In 2025 seven of our acts play the Megapark stage.<\/p>\n\n\n\n

\n
\"Andr\u00e9<\/a>
Andr\u00e9 Schnura<\/figcaption><\/figure>\n\n\n\n
\"Ski<\/a>
Ski Aggu<\/figcaption><\/figure>\n\n\n\n
\"90s<\/a>
90s Super Cruise<\/figcaption><\/figure>\n\n\n\n
\"Megapark<\/a>
Megapark<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n\n\n
\n

How we work<\/h2>\n\n\n\n
\n
\n

One contract, one contact person<\/h3>\n\n\n\n

We broker and set up the booking contract between you and the artist, and handle everything that follows afterwards.<\/p>\n<\/div>\n\n\n\n

\n

Advice before you choose<\/h3>\n\n\n\n

Which act suits your audience, and when they are available, we clarify beforehand. The roster is large enough for us to suggest several acts.<\/p>\n<\/div>\n\n\n\n

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Material for your promotion<\/h3>\n\n\n\n

Press photos, current information and marketing material for the booked artists come from us, without you having to ask for them.<\/p>\n<\/div>\n<\/div>\n<\/section>\n\n\n\n

\"Hamburg<\/span>
\n

From Hamburg to the big stages.<\/h2>\n\n\n\n

Tell us the date, the place and the budget range. We come back with acts that suit your event.<\/p>\n\n\n\n

\n
Enquire about a project<\/a><\/div>\n\n\n\n
All artists<\/a><\/div>\n<\/div>\n<\/div><\/section>\n\n","protected":false},"excerpt":{"rendered":"

Manuel Pielka Music runs in his family. His father Rudi Pielka was a sought-after manager in the 1970s and 1980s, among others for Claudia Jung and Adam & Eve. In the mid-1990s Manuel Pielka staged his first concerts, and the trade papers Musikmarkt and Musikwoche took notice of him early on. Shortly afterwards OLI.P became his […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-no-title","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-14380","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t